The Self Portrait
Challenge from Kim Owens, from Blissfully Art Journaling today was written like
this:
This is an exercise
that I used when I was an art docent for my daughter’s class. We were studying
the art of Alexander Calder –an American painter and sculptor (1898-1976). He
is best known for his wire sculptures.
This is very easy exercise, but it will most likely make you a little
uncomfortable. Be fearless!! You should do this directly in your journal – not
so easy to throw away. This is about the process – not the finished piece.
You will need –
Your journal
A free-standing mirror or a full length mirror that you can sit in front of.
A pen – absolutely NOT a pencil
When you are comfortably seated, look at your face in the mirror. Study your
face for a few moments and then place the tip of your pen on the journal page.
Choose a starting point on your face (i.e. your chin). Start drawing your face
without EVER lifting you pen off the paper. You must move the pen across the
paper as you follow the contours of your face with your eyes. Don’t look at the
paper – your hand must be in sync with your eyes. When you move your eyes up
the side of your face to your ear – your pen should move up the paper. Move
smoothly – don’t think about what you are drawing. The pen and your eyes are
joined as one. Just move, explore your face, let the pen flow across the paper.
Use a light touch. Don't forget to sign and date your portrait. Then post your
artwork.
I had about a half
hour free this afternoon and the challenge kept calling me, so I grabbed a
chair and plunked it down in front of the bathroom sink-and-mirror.
I am about to take
a drawing class to remedy my limited abilities there, but I wanted to complete
the challenge. I brought a crayon with me, one which bragged it was purplish
but was actually closer to blue.
I started with my
hair line and before I knew it, a not-too-embarassingly-bad (though I wouldn’t
call it good) self portrait came into form.
I finished the
crayon draft and wondered for a moment why we don’t do self portraits of the
rest of our body with as much regularity. I was thinking of Elizabeth
Vigee-Lebrun, one of my favorite 19th Century French Self Portrait
artists and also the months theme at Creative Every Day.
Elizabeth, I can’t imagine her painting her wrist and
calling it a self portrait.
I could, however,
imagine Leah Piken-Kolidas of Creative Every Day rejoicing in a wrist only self
portrait. Again, recognizing my limits as a drawing artist, I leaped in and
found… not so bad. The edge of my hand and wrist, holding the very journal I
was drawing in at that moment.
Yesterday, later in
the day I went to an audition at The Empty Space theater for an upcoming
production of Hamlet Machine. No,
it isn’t Hamlet a la Shakespeare, I have heard it called a
deconstruction of Hamlet. Tt is a unique theater production meets performance
art. I don’t even know how to describe it but what I do know is this:
I relished the
audition, which was a completely creative, wacky experience of creating three
separate characters in voice and body while reading from a Dr. Seuss board book
I had never read before. I had a blast and if the audition was all that was, I
would have been bummed but it would have been enough.
I sat in my drive
way after the audition and thought, “I really want it. I really, really want it”
and took this self portrait. From a different angle you can see my chin is in a
constant quiver, about to cry state. Intriguing, how I am literally "holding the quiver in" here. This series of self portraits, not at my
most beautiful – is so beautiful.
The part that
surprised me was the role I would play includes nudity and simulated… umm…
intimate acts. Both of which I agreed to do.
I went to the
audition thinking I was too old to begin with, but never expected to be
included in the cast, at least in the role of Gertrude – given the whole nudity
concept. I am reminded of four years ago – was it only four years? – the first
time I did a nude photo shoot, completely for my own personal growth.
I never expected to
come out of that experience with art which made me feel beautiful and more
comfortable with myself. I expected the contrary.
My comfort with and
appreciation for my physical form has continued to increase even as I am not
standard, culturally appreciated norm of young, firm, thin, unscathed by life.
Whether it is my
wrist or my nose or my hip or my more pudgy than I would like shadow, there is a
continued appreciation for who I am and the space I fill.
Julie publishes her ezine, the Daily Passion Activator, which includes an Essay and a Poem every week day - inspiration delivered directly into your email box. Why not Subscribe today? It's free.
Recent Comments